Openings and events for the selected date:
All available events from this date:
exhibition
Embodiment of Time
ArtLaboratoryBerlin
Prinzenallee 34,
13359 Berlin
http://www.artlaboratory-berlin.org/
Berlin
Ends 14.10.2012
Art Laboratory Berlin is pleased to announce the upcoming exhibition Embodiment of Time, which is part of the series Time & Technology.
The Japanese artist and scholar Yasuhiro Sakamoto and the Spanish composer Iñigo Giner Miranda have developed the installation String Quartet without Strings for Four Loudspeakers and an Art Machine especially for the exhibition.
The American artist Dave Hebb deals with artifacts of industrial civilization in the form of photography, video and installation. His video installation Monitor, which will be shown at Art Laboratory Berlin, is a video and photographic documentation of an environmental intervention extending over a one year period.
ArtLaboratoryBerlin
Prinzenallee 34,
13359 Berlin
http://www.artlaboratory-berlin.org/
Berlin
Ends 14.10.2012
Art Laboratory Berlin is pleased to announce the upcoming exhibition Embodiment of Time, which is part of the series Time & Technology.
The Japanese artist and scholar Yasuhiro Sakamoto and the Spanish composer Iñigo Giner Miranda have developed the installation String Quartet without Strings for Four Loudspeakers and an Art Machine especially for the exhibition.
The American artist Dave Hebb deals with artifacts of industrial civilization in the form of photography, video and installation. His video installation Monitor, which will be shown at Art Laboratory Berlin, is a video and photographic documentation of an environmental intervention extending over a one year period.
exhibition
High on low
Burgsdorfstrasse 17, Berlin
(Sprengelkiez near U&S Wedding)
http://www.sprengelkultur.de/safari12prog.html
Berlin
Ends 14.10.2012
The Kunstverein Wedding is part of Sprengelsafari and shows temporarily at Burgsdorf Str. 17 in Berlin / Wedding the groupexhibition
"High on low" with artworks by:
Stella Sander
Michael H. Rohde
Thomas Behling
Burgsdorfstrasse 17, Berlin
(Sprengelkiez near U&S Wedding)
http://www.sprengelkultur.de/safari12prog.html
Berlin
Ends 14.10.2012
The Kunstverein Wedding is part of Sprengelsafari and shows temporarily at Burgsdorf Str. 17 in Berlin / Wedding the groupexhibition
"High on low" with artworks by:
Stella Sander
Michael H. Rohde
Thomas Behling
exhibition/congress
A Burnt-Out Case?
1 September – 14 Oktober 2012
Opening: 31 August, 19h
Neue Gesellschaft für Bildende Kunst e.V.
Oranienstraße 25
10999 Berlin
http://www.ngbk.de
Artists: Ulf Aminde/ Anders Smebye, Franziska Angermann, Gesa Glück, Kaoru Hirano, Henry Kleine, Julia Lazarus, Thomas Mader, Karin Michalski, Sabrina Schieke, Cathleen Schuster/ Marcel Dickhage, and Linda Weiss
On 8 September (12-9 pm) the NGBK will organize a symposium on the subject at Radialsystem V.
A compilation of texts dealing with the topic is available in the exhibition.
Project group: Andrea Hense, Annika Niemann, Nadin Reschke, Sabine Richter and Karen Weinert
Image: "to be / to think / to get" - mixed media - 2011/12 by Linda Weiss
Berlin
Ends 14.10.2012
Burnout is increasingly becoming a diagnosis of our achievement-oriented society, for it provides evidence of the willingness to do the utmost and enable what appears to be unworkable, to exceed limits and surpass oneself. The exhibition project “A Burnt-Out Case?” seeks to cast a different view to the phenomenon of burnout that goes beyond the popular, often pseudo-therapeutic discourse.
The project group of the NGBK that conceived and realized “A Burnt-Out Case?” calls for a new and reflected way of dealing with the theme that does not stop with “faster-higher-farther”. A special focus is on the perspective of artists and creatives who often work and live in a precarious environment and are simultaneously considered the precursors of flexibilized and deregulated worlds of work.
Linda Weiss is berlinerpool member:
http://www.berlinerpool.de/?profiles=Artists&id=335
1 September – 14 Oktober 2012
Opening: 31 August, 19h
Neue Gesellschaft für Bildende Kunst e.V.
Oranienstraße 25
10999 Berlin
http://www.ngbk.de
Artists: Ulf Aminde/ Anders Smebye, Franziska Angermann, Gesa Glück, Kaoru Hirano, Henry Kleine, Julia Lazarus, Thomas Mader, Karin Michalski, Sabrina Schieke, Cathleen Schuster/ Marcel Dickhage, and Linda Weiss
On 8 September (12-9 pm) the NGBK will organize a symposium on the subject at Radialsystem V.
A compilation of texts dealing with the topic is available in the exhibition.
Project group: Andrea Hense, Annika Niemann, Nadin Reschke, Sabine Richter and Karen Weinert
Image: "to be / to think / to get" - mixed media - 2011/12 by Linda Weiss
Berlin
Ends 14.10.2012
Burnout is increasingly becoming a diagnosis of our achievement-oriented society, for it provides evidence of the willingness to do the utmost and enable what appears to be unworkable, to exceed limits and surpass oneself. The exhibition project “A Burnt-Out Case?” seeks to cast a different view to the phenomenon of burnout that goes beyond the popular, often pseudo-therapeutic discourse.
The project group of the NGBK that conceived and realized “A Burnt-Out Case?” calls for a new and reflected way of dealing with the theme that does not stop with “faster-higher-farther”. A special focus is on the perspective of artists and creatives who often work and live in a precarious environment and are simultaneously considered the precursors of flexibilized and deregulated worlds of work.
Linda Weiss is berlinerpool member:
http://www.berlinerpool.de/?profiles=Artists&id=335
exhibition
Kitakyushu Biennial in Berlin
ZK/U Berlin presents
Kitakyushu Biennial in Berlin
北九州国際ビエンナーレ in 伯林
*Candy Factory Projects
A New history of contemporary art
Chapter 1 :THE NATION STATE AS A WORK OF ART
Exhibition: 28 September - 14 October Open only Fridays to Sundays 3 pm - 9 pm at ZK/U Berlin
http://www.zku-berlin.org
Berlin
Ends 14.10.2012
he exhibition will comprise of multi screen installations made of re-mixes of earlier projects directed by Takuji Kogo in collaboration with Federico Baronello, Mike Bode, Young Hae Chang Heavy Industries, Charles Lim, John Miller, Keiichi Miyagawa and Hisao Sotoda ( Second Planet ) and Sean Snyder.
The exhibition presents the landscapes of a fabricated idea of the nation state where cultural identities have become defunct or conflictual, landscapes located on the back waters of the global economy covering such subjects as tourism on the Korean North-South divide, large scale Sicilian cherry tomato production maintained by Romanian and Tunisian migrant workers, a shopping mall in Singapore filled with foreign maids agencies or the public housing estates built around Toyota city which are today the home of many Japanese descendants from south America.
http://artonline.jp/
ZK/U Berlin presents
Kitakyushu Biennial in Berlin
北九州国際ビエンナーレ in 伯林
*Candy Factory Projects
A New history of contemporary art
Chapter 1 :THE NATION STATE AS A WORK OF ART
Exhibition: 28 September - 14 October Open only Fridays to Sundays 3 pm - 9 pm at ZK/U Berlin
http://www.zku-berlin.org
Berlin
Ends 14.10.2012
he exhibition will comprise of multi screen installations made of re-mixes of earlier projects directed by Takuji Kogo in collaboration with Federico Baronello, Mike Bode, Young Hae Chang Heavy Industries, Charles Lim, John Miller, Keiichi Miyagawa and Hisao Sotoda ( Second Planet ) and Sean Snyder.
The exhibition presents the landscapes of a fabricated idea of the nation state where cultural identities have become defunct or conflictual, landscapes located on the back waters of the global economy covering such subjects as tourism on the Korean North-South divide, large scale Sicilian cherry tomato production maintained by Romanian and Tunisian migrant workers, a shopping mall in Singapore filled with foreign maids agencies or the public housing estates built around Toyota city which are today the home of many Japanese descendants from south America.
http://artonline.jp/
exhibition
DOOMED SCAPE - Michelle-Marie Letelier
On Saturday 29th September at 18:30 hrs., Perlini Arte opens the first solo exhibition of the artist Michelle-Marie Letelier in Europe, who has been awarded a first edition of ORA prize. The project, curated by Carolina Lio, will present some of the most recent works created by the Berlin-based Chilean artist.
Venue
PERLINI ARTE
Riviera San Benedetto, 56
35139 PADOVA (IT)
Mobile 0039 392 3997551
http://www.perliniarte.com/
Michelle-Marie Letelier
http://www.berlinerpool.de/?profiles=Artists&id=512
Image:
Doomed scape (detail), drawing on paper, 2012
Italy-Padova
Ends 14.10.2012
Using a variety of media; installation, photography, video and drawing, Michelle-Marie Letelier studies landscapes that are subjected to exploitation of mineral resources. Through her work, she has documented social change, and more recently focused on topographic changes, observing the consequences of exploitation in the area. This theme began with the biographical story of the artist who has spent a few years in Chuquicamata, Chile, home of the largest open-pit copper mine in the world. This period has been documented by video and photographs, underlining an atmosphere of loneliness and abandonment, throwing into question the emptiness created by the expansion of the progressive mine, which in reaching the city has forced it to depopulate and die.
On Saturday 29th September at 18:30 hrs., Perlini Arte opens the first solo exhibition of the artist Michelle-Marie Letelier in Europe, who has been awarded a first edition of ORA prize. The project, curated by Carolina Lio, will present some of the most recent works created by the Berlin-based Chilean artist.
Venue
PERLINI ARTE
Riviera San Benedetto, 56
35139 PADOVA (IT)
Mobile 0039 392 3997551
http://www.perliniarte.com/
Michelle-Marie Letelier
http://www.berlinerpool.de/?profiles=Artists&id=512
Image:
Doomed scape (detail), drawing on paper, 2012
Italy-Padova
Ends 14.10.2012
Using a variety of media; installation, photography, video and drawing, Michelle-Marie Letelier studies landscapes that are subjected to exploitation of mineral resources. Through her work, she has documented social change, and more recently focused on topographic changes, observing the consequences of exploitation in the area. This theme began with the biographical story of the artist who has spent a few years in Chuquicamata, Chile, home of the largest open-pit copper mine in the world. This period has been documented by video and photographs, underlining an atmosphere of loneliness and abandonment, throwing into question the emptiness created by the expansion of the progressive mine, which in reaching the city has forced it to depopulate and die.
art in public space / participatory projects
The Big Draw Berlin - Das große Zeichnen 12. - 14. Oktober 2012
RAUM 29
Seelingstr. 29
14059 Berlin Charlottenburg
http://www.thebigdrawberlin.de
Berlin
Ends 14.10.2012
Wir möchten euch sehr herzlich zum diesjährigen Zeichenfestival THE BIG DRAW BERLIN einladen. Am 12.Oktober um 18 Uhr eröffnen wir das Festival mit der Ausstellung Transmission. Am 13.Oktober 2012 ab 15 Uhr findet das ganz große Zeichnen in den Uferhallen in Berlin Wedding statt. Unter dem Motto Drawing Space sollen mit 4 großformatigen, experimentellen und eigens für das Festival entwickelten Zeichenaktionen die 2500 qm Raum in Zusammenarbeit mit den FestivalbesucherInnen zeichnerisch erobert werden. Zwei Ausstellungen und ein Filmpodium rahmen das Festivalgeschehen. Der Eintritt beträgt 5 €, ermässigt oder bei Abgabe einer Zeichnung 3€. Hier gibt es auch, solange der Vorrat reicht, unser tolles Moleskine Notizbuch. Am 14.Oktober laden KünstlerInnen mit weiteren zeichnerischen Aktivitäten an vielen verschiedenen Orten zum mitzeichnen ein.
RAUM 29
Seelingstr. 29
14059 Berlin Charlottenburg
http://www.thebigdrawberlin.de
Berlin
Ends 14.10.2012
Wir möchten euch sehr herzlich zum diesjährigen Zeichenfestival THE BIG DRAW BERLIN einladen. Am 12.Oktober um 18 Uhr eröffnen wir das Festival mit der Ausstellung Transmission. Am 13.Oktober 2012 ab 15 Uhr findet das ganz große Zeichnen in den Uferhallen in Berlin Wedding statt. Unter dem Motto Drawing Space sollen mit 4 großformatigen, experimentellen und eigens für das Festival entwickelten Zeichenaktionen die 2500 qm Raum in Zusammenarbeit mit den FestivalbesucherInnen zeichnerisch erobert werden. Zwei Ausstellungen und ein Filmpodium rahmen das Festivalgeschehen. Der Eintritt beträgt 5 €, ermässigt oder bei Abgabe einer Zeichnung 3€. Hier gibt es auch, solange der Vorrat reicht, unser tolles Moleskine Notizbuch. Am 14.Oktober laden KünstlerInnen mit weiteren zeichnerischen Aktivitäten an vielen verschiedenen Orten zum mitzeichnen ein.
exhibition
Susanne Ring und Tian Tian Wang | MIRROR MIRROR
Galerie Jutta Idelmann
Cranger Straße 36
45894 Gelsenkirchen - Buer
http://www.idelmann.eu/
E-Mail: info[@]idelmann.eu
Germany- Gelsenkirchen-Buer
Ends 14.10.2012
Es spricht Prof. Gerhard Hahn, Krefeld
Im Werk der Bildhauerin Susanne Ring, geb. 1966 in Mainz – lebt in Berlin, begegnen wir phantastischen Figurenwelten von gleichermaßen eigenwilliger wie eindringlicher Vielseitigkeit und Offenheit. Susanne Ring läßt sich bei ihrer Arbeit von Science-Fiction-Motiven ebenso anregen wie von Totems afrikanischer Kulturen.
Tian Tian Wang, die 1980 in Qingdao/VRChina geborene und nun in Berlin lebende Künstlerin, malt vermeintlich einfache Dinge wie Wolken, Rauchschwaden, Häuser, Feuerzungen oder Berge. In der reduzierten, abstrakten und teilweise naiv anmutenden Darstellung, löst sich die Bildhaftigkeit der konkreten Dinge auf und sie verbleiben in ihrer Zeichenhaftigkeit.
Galerie Jutta Idelmann
Cranger Straße 36
45894 Gelsenkirchen - Buer
http://www.idelmann.eu/
E-Mail: info[@]idelmann.eu
Germany- Gelsenkirchen-Buer
Ends 14.10.2012
Es spricht Prof. Gerhard Hahn, Krefeld
Im Werk der Bildhauerin Susanne Ring, geb. 1966 in Mainz – lebt in Berlin, begegnen wir phantastischen Figurenwelten von gleichermaßen eigenwilliger wie eindringlicher Vielseitigkeit und Offenheit. Susanne Ring läßt sich bei ihrer Arbeit von Science-Fiction-Motiven ebenso anregen wie von Totems afrikanischer Kulturen.
Tian Tian Wang, die 1980 in Qingdao/VRChina geborene und nun in Berlin lebende Künstlerin, malt vermeintlich einfache Dinge wie Wolken, Rauchschwaden, Häuser, Feuerzungen oder Berge. In der reduzierten, abstrakten und teilweise naiv anmutenden Darstellung, löst sich die Bildhaftigkeit der konkreten Dinge auf und sie verbleiben in ihrer Zeichenhaftigkeit.
exhibition
Transient Luminous // Karen Roulstone
Ateliergemeinschaft Milchhof e.V.
Schwedter Straße 232
10435 Berlin
Tel +49 30 50 59 23 38
http://www.milchhofpavillon.de
Berlin
Ends 19.10.2012
Transient Luminous is a new body of paintings and videoworks arising from a residency at ateliergemeinshaft Milchhof e.V., Berlin in 2011.
The videowork explores and transforms diverse light forms moving in the studio at Milchhof which are, at times, elusive, mysterious and abstract. These fugitive forms, mapped over the course of 7 months, are suggestive of fleeting thoughts, spaces of illumination and the ephemeral. The light oscillates and moves registering on different levels of conscious/psychic recognition whilst creating strange spatial and temporal possibilities. The paintings also unfold around this engagement with the illumination of ideas through a decisive moment (der Augenblick) and its status of being as transient yet full of potential and significance.
Ateliergemeinschaft Milchhof e.V.
Schwedter Straße 232
10435 Berlin
Tel +49 30 50 59 23 38
http://www.milchhofpavillon.de
Berlin
Ends 19.10.2012
Transient Luminous is a new body of paintings and videoworks arising from a residency at ateliergemeinshaft Milchhof e.V., Berlin in 2011.
The videowork explores and transforms diverse light forms moving in the studio at Milchhof which are, at times, elusive, mysterious and abstract. These fugitive forms, mapped over the course of 7 months, are suggestive of fleeting thoughts, spaces of illumination and the ephemeral. The light oscillates and moves registering on different levels of conscious/psychic recognition whilst creating strange spatial and temporal possibilities. The paintings also unfold around this engagement with the illumination of ideas through a decisive moment (der Augenblick) and its status of being as transient yet full of potential and significance.
exhibition
SAY GOODBYE TO HOLLYWOOD
IMPORT Projects
Keithtstrasse 10
U Wittenbergplatz
Wednesday - Sunday 12-6pm
http://import-projects.org
Berlin
Ends 19.10.2012
SAY GOODBYE TO HOLLYWOOD explores the changing face of broadcasting, intellectual property, and filmic (re)production. Throughout, the impact of digital technologies - facilitating rapid distribution of content, the breakdown of production-consumption hierarchies, and the dismemberment of the moving-image - is in focus.
In so doing, SAY GOODBYE TO HOLLYWOOD alludes to the future of contemporary global cultural production. The exhibition features an international selection of artists working at the forefront of new media.
SAY GOODBYE TO HOLLYWOOD features a piece by the artist collective ART 404 (US), re-fashioned movie posters by Harm van den Dorpel (NL) alongside ambitious video works by Nicolas Provost (BE), Elodie Pong (CH) and Artie Vierkant (US).
IMPORT Projects
Keithtstrasse 10
U Wittenbergplatz
Wednesday - Sunday 12-6pm
http://import-projects.org
Berlin
Ends 19.10.2012
SAY GOODBYE TO HOLLYWOOD explores the changing face of broadcasting, intellectual property, and filmic (re)production. Throughout, the impact of digital technologies - facilitating rapid distribution of content, the breakdown of production-consumption hierarchies, and the dismemberment of the moving-image - is in focus.
In so doing, SAY GOODBYE TO HOLLYWOOD alludes to the future of contemporary global cultural production. The exhibition features an international selection of artists working at the forefront of new media.
SAY GOODBYE TO HOLLYWOOD features a piece by the artist collective ART 404 (US), re-fashioned movie posters by Harm van den Dorpel (NL) alongside ambitious video works by Nicolas Provost (BE), Elodie Pong (CH) and Artie Vierkant (US).
exhibition
Tito Tata Fotografie von Paula Muhr
Ausstellungsraum bautzner69
Karen Weinert & Uwe Patzer
Bautzner Str. 69
01099 Dresden-Neustadt
www.bautzner69.de
Germany-Dresden
Ends 20.10.2012
Ausstellungsraum bautzner69
Karen Weinert & Uwe Patzer
Bautzner Str. 69
01099 Dresden-Neustadt
www.bautzner69.de
Germany-Dresden
Ends 20.10.2012
festival / biennial
Paraflows .7 - Reverse Engineering
Festival für digitale Kunst und Kulturen
Address:
Das weisse Haus
Argentinierstrasse 11, 1040 Wien
(Tue – Fr 13 – 19, Sat 12 – 17 )
http://www.paraflows.at/
Austria-Wien
Ends 20.10.2012
The concept Lapels engineering comes, actually, from the mechanical engineering. The paraflows festival makes use of the concept to put down him on the reconstruction and democratization of knowledge. He stands also for creative appropriation and advancement. ' In dipping into new matter engineering becomes of the lapels pursuing artists thus the researcher, discoverer and experiences by the renewed fusion of the disciplines a Renaissance
Image:
Marcelina Wellmer
Error 404 502 410, 2011
Festival für digitale Kunst und Kulturen
Address:
Das weisse Haus
Argentinierstrasse 11, 1040 Wien
(Tue – Fr 13 – 19, Sat 12 – 17 )
http://www.paraflows.at/
Austria-Wien
Ends 20.10.2012
The concept Lapels engineering comes, actually, from the mechanical engineering. The paraflows festival makes use of the concept to put down him on the reconstruction and democratization of knowledge. He stands also for creative appropriation and advancement. ' In dipping into new matter engineering becomes of the lapels pursuing artists thus the researcher, discoverer and experiences by the renewed fusion of the disciplines a Renaissance
Image:
Marcelina Wellmer
Error 404 502 410, 2011
exhibition
KANT RELOADED by Giovanni Casu
Giovanni Casu is an artist and a curator. He was born in Sardinia in 1975. After completing a degree in Political Science in Italy, he moved to Paris, where he lived and exhibited for the next 7 years.
In 2008, he relocated to Berlin where he has been living and working since then. Since 2008, he founded and co-founded 3 centers for art and research: “Works in Regress” (2008), the WIR Gallery (2009) and the Ecke Gallery (2010).
The Ecke Gallery was created as a cross-disciplinary platform for art and neuroscience dedicated to promote and present bi-disciplinary research and work. / http://www.giovanni-casu.blogspot.de/
EXPO
Berthelsdorfer Straße 12
12043 Berlin
EXPO is non-commercial project, managed by independent artists and curators, aiming to develop exhibitions with unusual concepts.
http://www.expo-berlin.com
Berlin
Ends 21.10.2012
Started in 2007, the corpus of works presented as part of “Kant Reloaded” is the result of several years of cross-disciplinary research by Giovanni Casu in the field of art, philosophy and neuroscience.
With “Kant Reloaded”, Giovanni Casu questions the immaterial and subjective substance of visual perception. Here, his work plays with and uses the limits of our sensory capacities to make us see what doesn’t exist. It tricks our brain to perceive movements into inanimate and still objects. It creates colors where none should be seen.
At the basis of “Kant Reloaded” was the observation that visual perception is our primary mean of experiencing reality and the will to question its reliability. Here, Giovanni Casu hypothesized that the visual perception of the physical world uses the same mechanics as the construction of our inner and virtual worlds.
Giovanni Casu is an artist and a curator. He was born in Sardinia in 1975. After completing a degree in Political Science in Italy, he moved to Paris, where he lived and exhibited for the next 7 years.
In 2008, he relocated to Berlin where he has been living and working since then. Since 2008, he founded and co-founded 3 centers for art and research: “Works in Regress” (2008), the WIR Gallery (2009) and the Ecke Gallery (2010).
The Ecke Gallery was created as a cross-disciplinary platform for art and neuroscience dedicated to promote and present bi-disciplinary research and work. / http://www.giovanni-casu.blogspot.de/
EXPO
Berthelsdorfer Straße 12
12043 Berlin
EXPO is non-commercial project, managed by independent artists and curators, aiming to develop exhibitions with unusual concepts.
http://www.expo-berlin.com
Berlin
Ends 21.10.2012
Started in 2007, the corpus of works presented as part of “Kant Reloaded” is the result of several years of cross-disciplinary research by Giovanni Casu in the field of art, philosophy and neuroscience.
With “Kant Reloaded”, Giovanni Casu questions the immaterial and subjective substance of visual perception. Here, his work plays with and uses the limits of our sensory capacities to make us see what doesn’t exist. It tricks our brain to perceive movements into inanimate and still objects. It creates colors where none should be seen.
At the basis of “Kant Reloaded” was the observation that visual perception is our primary mean of experiencing reality and the will to question its reliability. Here, Giovanni Casu hypothesized that the visual perception of the physical world uses the same mechanics as the construction of our inner and virtual worlds.
Art Auction
ISTRUZIONI D’USO - FILIPPO BERTA
22th september - 21th october 2012
Dolomiti Contemporanee
Taibon Agordino (BL) Italy
http://www.dolomiticontemporanee.net/
Italy-Taibon Agordino
Ends 21.10.2012
curated by Daniele Capra
Filippo Berta
http://www.berlinerpool.de/?profiles=Artists&id=409
22th september - 21th october 2012
Dolomiti Contemporanee
Taibon Agordino (BL) Italy
http://www.dolomiticontemporanee.net/
Italy-Taibon Agordino
Ends 21.10.2012
curated by Daniele Capra
Filippo Berta
http://www.berlinerpool.de/?profiles=Artists&id=409
exhibition
Polly’s Picture Show CONFETTI GENERATION
Polly’s Picture Show, a platform for young talented artists that engage with the medium photography, presents its third group exhibition named Confetti Generation in the Vondelparkpavilioen.
This new exhibition of Polly’s Picture Show presents new work of a generation of artists who were all born in the eighties. They belong to the so-called Confetti Generation – a term that became popular in 2010 through an article published in the magazine HP/De Tijd. The Confetti Generation is characterized by excessiveness. The many different colours of confetti continuously offer new sentiments, which combine to make a party. The Confetti Generation assumes everything is going to be alright; is indifferent, individualistic, and disengaged. The article suggests that the Confetti Generation is not restricted by any boundaries.
http://www.pollyspictureshow.com/
Venue
Vondelparkpaviljoen, Vondelpark 3, Amsterdam
Netherlands-Amsterdam
Ends 21.10.2012
Paula Muhr
http://www.berlinerpool.de/?profiles=Artists&id=297
with:
Anne Huijnen
Isabelle Wenzel
Suzanne Posthumus
Frederic Klein
Adam Etmanski
Paula Muhr
Milou Abel
Nora Halpern
Joscha Steffens
Anna de Jong
Alicja Bielawska
Fleur van Dodewaard
Kasper Jacobs
Polly’s Picture Show, a platform for young talented artists that engage with the medium photography, presents its third group exhibition named Confetti Generation in the Vondelparkpavilioen.
This new exhibition of Polly’s Picture Show presents new work of a generation of artists who were all born in the eighties. They belong to the so-called Confetti Generation – a term that became popular in 2010 through an article published in the magazine HP/De Tijd. The Confetti Generation is characterized by excessiveness. The many different colours of confetti continuously offer new sentiments, which combine to make a party. The Confetti Generation assumes everything is going to be alright; is indifferent, individualistic, and disengaged. The article suggests that the Confetti Generation is not restricted by any boundaries.
http://www.pollyspictureshow.com/
Venue
Vondelparkpaviljoen, Vondelpark 3, Amsterdam
Netherlands-Amsterdam
Ends 21.10.2012
Paula Muhr
http://www.berlinerpool.de/?profiles=Artists&id=297
with:
Anne Huijnen
Isabelle Wenzel
Suzanne Posthumus
Frederic Klein
Adam Etmanski
Paula Muhr
Milou Abel
Nora Halpern
Joscha Steffens
Anna de Jong
Alicja Bielawska
Fleur van Dodewaard
Kasper Jacobs
exhibition
LOOKING FOR E.B.
Galleria Muratcentoventidue pursues its exhibition program presenting “Looking for E.B.”, a solo show of Elena Bellantoni, curated by Eleonora Farina.
About Eleonora Farina
http://berlinerpool.de/?profiles=Curators&id=353
Venue
Muratcentoventidue-Artecontemporanea
Via G. Murat 122/b – Bari
http://www.muratcentoventidue.com/
Italy-Bari
Ends 24.10.2012
E.B., the protagonist of the last video by the Roman artist Elena Bellantoni (1975), plays a life story and reenacts a family story; while defining herself, she gives sense and meaning to her family unit and to her role within it.
Looking for E.B. puts the viewer into an awkward emotional world, in which the audio is punchy, the definition of the objects is meticulous and E.B.’s movements are at the same time fearful and wary.
The use of the double video projection, which strengthens a sympathetic feeling towards the protagonist, and the employ of close-ups, which highlight repeated and almost dubbed gestures, create an indissoluble link between the main character and the female context, in which she acts, but also stress the anxiety of being confronted with the self, first as a being and then as a woman...
Galleria Muratcentoventidue pursues its exhibition program presenting “Looking for E.B.”, a solo show of Elena Bellantoni, curated by Eleonora Farina.
About Eleonora Farina
http://berlinerpool.de/?profiles=Curators&id=353
Venue
Muratcentoventidue-Artecontemporanea
Via G. Murat 122/b – Bari
http://www.muratcentoventidue.com/
Italy-Bari
Ends 24.10.2012
E.B., the protagonist of the last video by the Roman artist Elena Bellantoni (1975), plays a life story and reenacts a family story; while defining herself, she gives sense and meaning to her family unit and to her role within it.
Looking for E.B. puts the viewer into an awkward emotional world, in which the audio is punchy, the definition of the objects is meticulous and E.B.’s movements are at the same time fearful and wary.
The use of the double video projection, which strengthens a sympathetic feeling towards the protagonist, and the employ of close-ups, which highlight repeated and almost dubbed gestures, create an indissoluble link between the main character and the female context, in which she acts, but also stress the anxiety of being confronted with the self, first as a being and then as a woman...
exhibition
HUNGRY CITY. Landwirtschaft und Essen in der zeitgenössischern Kunst
Kunstraum Kreuzberg/Bethanien
Mariannenplatz 2
D -10997 Berlin
http://www.kunstraumkreuzberg.de
Berlin
Ends 28.10.2012
Die internationale Gruppenausstellung „Hungry City“ versammelt 19 künstlerische Positionen, die Land-wirtschaft thematisieren und auf unterschiedliche Aspekte von Nahrungsmittelproduktion und -versorgung eingehen. Aktuelle Werke werden ergänzt durch Arbeiten namhafter KünstlerInnen der 1960er bis 1980er Jahre, die darlegen, dass das Thema in der Kunst bereits in vergangenen Jahrzehnten virulent war. Neue Kunstgattungen wie die Rural Art und Projekte urbaner Landwirtschaft verdeutlichen die Brisanz der Thematik und verweisen auf Veränderungen in stereotypen Zuschreibungen von städtischem und ländli-chem Raum.
More info: http://www.kunstraumkreuzberg.de
Kunstraum Kreuzberg/Bethanien
Mariannenplatz 2
D -10997 Berlin
http://www.kunstraumkreuzberg.de
Berlin
Ends 28.10.2012
Die internationale Gruppenausstellung „Hungry City“ versammelt 19 künstlerische Positionen, die Land-wirtschaft thematisieren und auf unterschiedliche Aspekte von Nahrungsmittelproduktion und -versorgung eingehen. Aktuelle Werke werden ergänzt durch Arbeiten namhafter KünstlerInnen der 1960er bis 1980er Jahre, die darlegen, dass das Thema in der Kunst bereits in vergangenen Jahrzehnten virulent war. Neue Kunstgattungen wie die Rural Art und Projekte urbaner Landwirtschaft verdeutlichen die Brisanz der Thematik und verweisen auf Veränderungen in stereotypen Zuschreibungen von städtischem und ländli-chem Raum.
More info: http://www.kunstraumkreuzberg.de
exhibition
Surplus Authors
Witte de With | Center for Contemporary Art
Witte de Withstraat 50
3012 BR Rotterdam
The Netherlands
info[@]wdw.nl
http://www.wdw.nl
Netherlands-Rotterdam
Ends 28.10.2012
Outside of personal romance, collaboration is perhaps the most elemental form of politics—just consider how the term plays a hand in issues as basic as "two heads are better than one" and as large as international alliances. To crack open this power relation, Surplus Authors looks at a group of artists whose work traces and delineates several fault lines inherent in the act of collaboration from (art) historical and social indebtedness, to trust, generosity, incentives, antagonism, and even cooption. Without laying claim to any illustrative narratives, Surplus Authors presents itself during a growing urge and call for institutions to work together as a promised means to alleviate the reasons for austerity. As a possible retort, Surplus Authors begs the question: Is collaboration an end in and of itself, or is it a tenuous and unfolding process in which psychological, intellectual, and political dynamics are contested and reconstituted?
Witte de With | Center for Contemporary Art
Witte de Withstraat 50
3012 BR Rotterdam
The Netherlands
info[@]wdw.nl
http://www.wdw.nl
Netherlands-Rotterdam
Ends 28.10.2012
Outside of personal romance, collaboration is perhaps the most elemental form of politics—just consider how the term plays a hand in issues as basic as "two heads are better than one" and as large as international alliances. To crack open this power relation, Surplus Authors looks at a group of artists whose work traces and delineates several fault lines inherent in the act of collaboration from (art) historical and social indebtedness, to trust, generosity, incentives, antagonism, and even cooption. Without laying claim to any illustrative narratives, Surplus Authors presents itself during a growing urge and call for institutions to work together as a promised means to alleviate the reasons for austerity. As a possible retort, Surplus Authors begs the question: Is collaboration an end in and of itself, or is it a tenuous and unfolding process in which psychological, intellectual, and political dynamics are contested and reconstituted?
festival / biennial
5th namaTRE.ba biennial
namaTRE.ba project is an independent platform for contemporary art : video / film / performance / new media. Nowadays it evolved to namaTRE.ba biennial. It is international biennial for all forms of video and film based contemporary art.
Trebinje, Bosnia & Herzegovina
Ends 28.10.2012
5th namaTRE.ba biennial will be opened in 12/28 October 2012 at Academy of Fine & Visual Arts in Trebinje, Bosnia & Herzegovina.
namaTRE.ba biennial
Igor Bosnjak
Garibaldijeva 7/31
89101 Trebinje
Bosna i Hercegovina
glijaa@gmail.com
http://www.namatre.ba/
namaTRE.ba project is an independent platform for contemporary art : video / film / performance / new media. Nowadays it evolved to namaTRE.ba biennial. It is international biennial for all forms of video and film based contemporary art.
Trebinje, Bosnia & Herzegovina
Ends 28.10.2012
5th namaTRE.ba biennial will be opened in 12/28 October 2012 at Academy of Fine & Visual Arts in Trebinje, Bosnia & Herzegovina.
namaTRE.ba biennial
Igor Bosnjak
Garibaldijeva 7/31
89101 Trebinje
Bosna i Hercegovina
glijaa@gmail.com
http://www.namatre.ba/
exhibition
To the limits of “togetherness”
Old Hospital, Amfisa GR
http://www.thesymptomprojects.gr
http://the-symptom-projects.blogspot.gr
Greece - Amfisa
Ends 31.10.2012
Curated by Kostis Stafylakis. Production: The Symptom Projects
Participating artists: Omada Filopapou, Jannis Theodoropoulos,
Vassiliea Stylianidou, Vassilis Vlastaras, Maria Glyka, Jannis
Grigoriadis, Jannis Isidorou, Despina Meimaroglou, Mary Zygouri,
Maria Paschalidou, Anna Lascari, Dimitris Dokatzis, Poka Yio, Jannis
Skaltsas, Jannis Sinioroglou, Tasos Papatsoris, De-Regulators (Panos
Kompatsiaris / Hypatia Vourloumis / Marios Chatziprokopiou / Mary
Zygouri)
Old Hospital, Amfisa GR
http://www.thesymptomprojects.gr
http://the-symptom-projects.blogspot.gr
Greece - Amfisa
Ends 31.10.2012
Curated by Kostis Stafylakis. Production: The Symptom Projects
Participating artists: Omada Filopapou, Jannis Theodoropoulos,
Vassiliea Stylianidou, Vassilis Vlastaras, Maria Glyka, Jannis
Grigoriadis, Jannis Isidorou, Despina Meimaroglou, Mary Zygouri,
Maria Paschalidou, Anna Lascari, Dimitris Dokatzis, Poka Yio, Jannis
Skaltsas, Jannis Sinioroglou, Tasos Papatsoris, De-Regulators (Panos
Kompatsiaris / Hypatia Vourloumis / Marios Chatziprokopiou / Mary
Zygouri)
exhibition
Allan Sekula: Disassembled Movies 1972-2012
September 12 – October 31, 2012
Venue:
Akbank Sanat / Akbank Art Center
Istiklal Cad. No. 8
Beyoglu / Istanbul, Turkey
+90 212 252 3500
http://www.akbanksanat.com/
Istanbul
Ends 31.10.2012
Curators: Marie Muracciole - Ali Akay
Born in Erie, Pennsylvania in 1951, Allan Sekula lives in Los Angeles. In 1971, in Southern California, as the American empire faced the crisis following its debacle in Vietnam, Sekula began combining writing and photography to document the political and economic situation of postwar military Keynesianism. It was in 1973 that he first characterized his work as “a disassembled movie,” and this applies to much of his photographic work to the present.
The exhibition will include Untitled Slide Sequence, the recently edited California Stories, 1973-1979, and four films: Performance Under Working Conditions (1973), Talk Given by Mr. Fred Lux . . . (1974), The Forgotten Space (2010), co-directed with Noël Burch, and Lottery of the Sea (2006).
September 12 – October 31, 2012
Venue:
Akbank Sanat / Akbank Art Center
Istiklal Cad. No. 8
Beyoglu / Istanbul, Turkey
+90 212 252 3500
http://www.akbanksanat.com/
Istanbul
Ends 31.10.2012
Curators: Marie Muracciole - Ali Akay
Born in Erie, Pennsylvania in 1951, Allan Sekula lives in Los Angeles. In 1971, in Southern California, as the American empire faced the crisis following its debacle in Vietnam, Sekula began combining writing and photography to document the political and economic situation of postwar military Keynesianism. It was in 1973 that he first characterized his work as “a disassembled movie,” and this applies to much of his photographic work to the present.
The exhibition will include Untitled Slide Sequence, the recently edited California Stories, 1973-1979, and four films: Performance Under Working Conditions (1973), Talk Given by Mr. Fred Lux . . . (1974), The Forgotten Space (2010), co-directed with Noël Burch, and Lottery of the Sea (2006).
festival / biennial
International Çanakkale Biennial
FICTIONS AND DISSENTIONS
Turkey being closely watched from a global perspective has become a focus of attention, not only because of its own political and cultural state of affairs, but because of "The Arabic Spring" in the region, Iran's bid for nuclear power, its approaches and response to various countries in turmoil such as Iraq and Syria in a post-U.S.A. world politics and no doubt its dynamic relations with The EU.
http://www.canakkalebienali.com/
Turkey-Çanakkale
Ends 03.11.2012
Image:
Sencer Vardarman, Rain, digital C-Print 120x240cm
FICTIONS AND DISSENTIONS
Turkey being closely watched from a global perspective has become a focus of attention, not only because of its own political and cultural state of affairs, but because of "The Arabic Spring" in the region, Iran's bid for nuclear power, its approaches and response to various countries in turmoil such as Iraq and Syria in a post-U.S.A. world politics and no doubt its dynamic relations with The EU.
http://www.canakkalebienali.com/
Turkey-Çanakkale
Ends 03.11.2012
Image:
Sencer Vardarman, Rain, digital C-Print 120x240cm
meeting
WALK with Vassiliea Stylianidou
Art & Tours
Friedenstrasse 34
10249 Berlin - Germany
http://www.artandtours.com
artandtours[@]googlemail.com
Berlin
Ends 09.11.2012
MIND THE URBAN GAP
9-10 November 2012, h. 14.30 - 16.30
Meeting point
Wattstr. 8 - 13355 Berlin
Languages
Friday, 9 November: German
Saturday, 10 November: English
"A real and imaginary walk through the partly legendary former and current urban gaps in Berlin.
Starting point is my studio in the boarders between Wedding-Prenzlauer Berg and Mitte.
Materials and objects: the view from my studio´s terrace, images from other Berlin terraces, gaps between buildings in Berlin and things that make Wedding different".
Vassiliea Stylianidou
http://www.artandtours.com/en/walks-vassiliea-stylianidou-mind-the-urban-gap.html
Art & Tours
Friedenstrasse 34
10249 Berlin - Germany
http://www.artandtours.com
artandtours[@]googlemail.com
Berlin
Ends 09.11.2012
MIND THE URBAN GAP
9-10 November 2012, h. 14.30 - 16.30
Meeting point
Wattstr. 8 - 13355 Berlin
Languages
Friday, 9 November: German
Saturday, 10 November: English
"A real and imaginary walk through the partly legendary former and current urban gaps in Berlin.
Starting point is my studio in the boarders between Wedding-Prenzlauer Berg and Mitte.
Materials and objects: the view from my studio´s terrace, images from other Berlin terraces, gaps between buildings in Berlin and things that make Wedding different".
Vassiliea Stylianidou
http://www.artandtours.com/en/walks-vassiliea-stylianidou-mind-the-urban-gap.html
exhibition
Zeit Räume
eine Ausstellung der Fachgruppe Bildende Kunst, ver.di Berlin-Brandenburg
Ort
MedienGalerie in Berlin/Tempelhof
Dudenstraße 10
10965 Berlin
(U-Bhf Platz der Luftbrücke, Bus 104)
http://www.mediengalerie.org/
Öffnungszeiten: Mo + Fr 14.00 - 16.00 Uhr
Di 17.00 - 19.00 Uhr
Do 14.00 - 19.00 Uhr
Berlin
Ends 16.11.2012
Ausstellende Künstler: Andreas Haltermann, Andreas A. Jähnig, Doris Koch, Karoline Koeppel, Gotthard Krupp, Silvia Mack, Dieter Ruckhaberle, Siegfried Schütze, Beate Spitzmüller, Gerdi Sternberg, Barbara Salome Trost, Peter Weitz
Image Doris Koch
http://www.berlinerpool.de/?profiles=Artists&id=397
Dort wird der Indizienkomplex mit der Fallbe-zeichnung "Geld verdienen" –
sichergestellt von Doris Koch im Zeitraum 1998 bis 2002 – erstmals
öffentlich gezeigt. In diesem Zeitraum ist der Indizienkomplex auch
online auf http://www.indizien.info zu sehen. Alle Indizien sind zum Tausch
freigegeben. Tauschwillige können sich im Büro komPleX melden.
eine Ausstellung der Fachgruppe Bildende Kunst, ver.di Berlin-Brandenburg
Ort
MedienGalerie in Berlin/Tempelhof
Dudenstraße 10
10965 Berlin
(U-Bhf Platz der Luftbrücke, Bus 104)
http://www.mediengalerie.org/
Öffnungszeiten: Mo + Fr 14.00 - 16.00 Uhr
Di 17.00 - 19.00 Uhr
Do 14.00 - 19.00 Uhr
Berlin
Ends 16.11.2012
Ausstellende Künstler: Andreas Haltermann, Andreas A. Jähnig, Doris Koch, Karoline Koeppel, Gotthard Krupp, Silvia Mack, Dieter Ruckhaberle, Siegfried Schütze, Beate Spitzmüller, Gerdi Sternberg, Barbara Salome Trost, Peter Weitz
Image Doris Koch
http://www.berlinerpool.de/?profiles=Artists&id=397
Dort wird der Indizienkomplex mit der Fallbe-zeichnung "Geld verdienen" –
sichergestellt von Doris Koch im Zeitraum 1998 bis 2002 – erstmals
öffentlich gezeigt. In diesem Zeitraum ist der Indizienkomplex auch
online auf http://www.indizien.info zu sehen. Alle Indizien sind zum Tausch
freigegeben. Tauschwillige können sich im Büro komPleX melden.
exhibition
Die weiße Residenz | Künstlerische Fotografien der Gropiusstadt 2002 – 2012
Im
Gemeinschaftshaus Gropiusstadt
Bat-Yam-Platz 1
12353 Berlin (U-Bahnhof U7 „Lipschitzallee“)
Mit
Field Recordings von Sean Derrick Cooper Marquardt
http://www.pilotprojekt-gropiusstadt.de/
Ein Projekt des Bezirksamts Neukölln von Berlin, Abteilung Bildung, Schule, Kultur und Sport, Fachbereich Kultur, im Rahmen des Jubiläums „50 Jahre Gropiusstadt“. Eine Übersicht über alle Jubiläums-Aktivitäten findet sich unter http://www.qm-gropiusstadt.de
Berlin
Ends 21.12.2012
Die Berliner Gropiusstadt – für die einen Ikone der Architekturmoderne, für die anderen „Hochhaus-Ghetto“ – feiert 2012 den 50. Jahrestag ihrer Grundsteinlegung.
Schon immer zieht die Siedlung Künstler und Fotografen aus aller Welt an, die mit ihren Aufnahmen die Besonderheiten dieser ältesten Berliner Trabantenstadt festhalten.
In der Ausstellung zeigen 92 Künstler und Fotografen ihre Sicht auf die Gropiusstadt, die dokumentierend, interpretierend, kritisch oder anekdotisch Aspekte des Wohnens und Lebens in der Siedlung unter die Lupe nimmt: mit der Subjektivität des künstlerischen Ausdrucks, die Inszenierungen erlaubt, sich aber dagegen verwehrt, ikonenhafte Bilder zu erzeugen und Stigmata zu stärken.
Etliche der in der Ausstellung gezeigten Fotografien stammen von Gästen des internationalen Künstlerresidenzprogramms „Pilotprojekt Gropiusstadt“ (2002 – 2009, http://www.pilotprojekt-gropiusstadt.de/)...
Im
Gemeinschaftshaus Gropiusstadt
Bat-Yam-Platz 1
12353 Berlin (U-Bahnhof U7 „Lipschitzallee“)
Mit
Field Recordings von Sean Derrick Cooper Marquardt
http://www.pilotprojekt-gropiusstadt.de/
Ein Projekt des Bezirksamts Neukölln von Berlin, Abteilung Bildung, Schule, Kultur und Sport, Fachbereich Kultur, im Rahmen des Jubiläums „50 Jahre Gropiusstadt“. Eine Übersicht über alle Jubiläums-Aktivitäten findet sich unter http://www.qm-gropiusstadt.de
Berlin
Ends 21.12.2012
Die Berliner Gropiusstadt – für die einen Ikone der Architekturmoderne, für die anderen „Hochhaus-Ghetto“ – feiert 2012 den 50. Jahrestag ihrer Grundsteinlegung.
Schon immer zieht die Siedlung Künstler und Fotografen aus aller Welt an, die mit ihren Aufnahmen die Besonderheiten dieser ältesten Berliner Trabantenstadt festhalten.
In der Ausstellung zeigen 92 Künstler und Fotografen ihre Sicht auf die Gropiusstadt, die dokumentierend, interpretierend, kritisch oder anekdotisch Aspekte des Wohnens und Lebens in der Siedlung unter die Lupe nimmt: mit der Subjektivität des künstlerischen Ausdrucks, die Inszenierungen erlaubt, sich aber dagegen verwehrt, ikonenhafte Bilder zu erzeugen und Stigmata zu stärken.
Etliche der in der Ausstellung gezeigten Fotografien stammen von Gästen des internationalen Künstlerresidenzprogramms „Pilotprojekt Gropiusstadt“ (2002 – 2009, http://www.pilotprojekt-gropiusstadt.de/)...
exhibition
The yellow sound2 - Georg Klein
Georg Klein
http://berlinerpool.de/?profiles=Artists&id=445
Homage to Kandinsky
2012
sound-light-installation
in 2 entrances of basement garages at Royal Park in Karlsruhe
2 x 6-channel-audio, 3-channel-light
voice: Sergej Newski
2 audio-loops: 20 min. each
Venue:
ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe
Lorenzstraße 19
76135 Karlsruhe
Germany
http://www.zkm.de/
Germany-Karlsruhe
Ends 06.01.2013
100 years ago, in 1912, Wassily Kandinsky published in the almanac "The Blue Rider" a text which seems to be a manifest on founding sound art - at least a foreshadowing of sound art. His writing "Über Bühnenkomposition" (On stage composition) is a theoretical preface on a planned stage piece called "Der gelbe Klang" (The yellow sound) and in this text he postulated a new connection between the arts, an "inner" connection of "sound, color, words" and movement. His piece was never realised in his lifetime.
The installation Der gelbe Klang2 (The yellow sound2) as a homage to Kandinsky takes his conceptual ideas and makes a transfer into a contemporary sound art piece. Georg Klein often works in his sound art installations with a certain color which defines togehter with a basic sound a fundamental atmosphere of a specific site, preparing a field in which more material - sounds, words, video - can appear.
Georg Klein
http://berlinerpool.de/?profiles=Artists&id=445
Homage to Kandinsky
2012
sound-light-installation
in 2 entrances of basement garages at Royal Park in Karlsruhe
2 x 6-channel-audio, 3-channel-light
voice: Sergej Newski
2 audio-loops: 20 min. each
Venue:
ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe
Lorenzstraße 19
76135 Karlsruhe
Germany
http://www.zkm.de/
Germany-Karlsruhe
Ends 06.01.2013
100 years ago, in 1912, Wassily Kandinsky published in the almanac "The Blue Rider" a text which seems to be a manifest on founding sound art - at least a foreshadowing of sound art. His writing "Über Bühnenkomposition" (On stage composition) is a theoretical preface on a planned stage piece called "Der gelbe Klang" (The yellow sound) and in this text he postulated a new connection between the arts, an "inner" connection of "sound, color, words" and movement. His piece was never realised in his lifetime.
The installation Der gelbe Klang2 (The yellow sound2) as a homage to Kandinsky takes his conceptual ideas and makes a transfer into a contemporary sound art piece. Georg Klein often works in his sound art installations with a certain color which defines togehter with a basic sound a fundamental atmosphere of a specific site, preparing a field in which more material - sounds, words, video - can appear.
exhibition
zwischennetzen - Irene Anton
»zwischennetzen« von Irene Anton
und »FLUGZAUBER« von Thomas Ranft
Mo-Do von 9:00 bis 17:00 Uhr,
Fr bis 16:00 Uhr.
KONVEX 99 - Galerie in der Neuen Kauffahrtei
Kauffahrtei 25, 09120 Chemnitz
Zufahrt über das »Tor zur Neuen Kauffahrtei«
in der Johann-Esche-Straße.
Germany-Chemnitz
Ends 31.01.2013
Es begrüßt: Thomas Pfaff, Geschäftsführer der
LiCo Liegenschaftsconsult GmbH
Einführung: Wilhelm Kaltenborn,
Aufsichtsratsvorsitzender der Zentralkonsum eG
Musikalische Umrahmung:
Mika Olja SaxophonQuartett
Galerie in der Neuen Kauffahrtei
Die Neue Kauffahrtei beteiligt sich wieder an der Spätschicht im Rahmen der Tage der Industriekultur. Im Anschluss an die Ausstellungseröffnung können Sie an Führungen zu den architektonischen Besonderheiten der Kauffahrtei teilnehmen. Bei musikalischer Umrahmung können Sie den Abend im Innenhof und im Gebäude ausklingen lassen.
Mehr über Irene Anton:
http://berlinerpool.de/?profiles=Artists&id=293
»zwischennetzen« von Irene Anton
und »FLUGZAUBER« von Thomas Ranft
Mo-Do von 9:00 bis 17:00 Uhr,
Fr bis 16:00 Uhr.
KONVEX 99 - Galerie in der Neuen Kauffahrtei
Kauffahrtei 25, 09120 Chemnitz
Zufahrt über das »Tor zur Neuen Kauffahrtei«
in der Johann-Esche-Straße.
Germany-Chemnitz
Ends 31.01.2013
Es begrüßt: Thomas Pfaff, Geschäftsführer der
LiCo Liegenschaftsconsult GmbH
Einführung: Wilhelm Kaltenborn,
Aufsichtsratsvorsitzender der Zentralkonsum eG
Musikalische Umrahmung:
Mika Olja SaxophonQuartett
Galerie in der Neuen Kauffahrtei
Die Neue Kauffahrtei beteiligt sich wieder an der Spätschicht im Rahmen der Tage der Industriekultur. Im Anschluss an die Ausstellungseröffnung können Sie an Führungen zu den architektonischen Besonderheiten der Kauffahrtei teilnehmen. Bei musikalischer Umrahmung können Sie den Abend im Innenhof und im Gebäude ausklingen lassen.
Mehr über Irene Anton:
http://berlinerpool.de/?profiles=Artists&id=293
exhibition
NOTHING. Nothing is more beautiful!
Reflections atop and beneath Nothing.
October 13th 2012 until February 1st 2013
Opening:
Introduction with Elisa Asenbaum and Thomas Maximilian Stuck – 5.30 p.m.
Opening hours: Tu - Fr 2-7 p.m., Sa 2-5 p.m.
and by appointment
G.A.S-station-Team
Elisa Asenbaum & Thomas Maximilian Stuck
Tempelherrenstraße 22, 10961 Berlin/Kreuzberg
http://www.2gas-station.net/
Berlin
Ends 01.02.2013
After four international and topic centered exhibition projects with more than 200 participants we would like in 2012/13 to focus on the puristic and fascinating topic NOTHING. In the beginning we were planning to show only one explicit work but finaly we decided to choose two out of the planty applications which received us.
Draga Jovanovic (SRB), "Your self is a reflection of myself"
Stephan US (D), "Das Archiv des Nichts" (The Archive of Nothingness)
Reflections atop and beneath Nothing.
October 13th 2012 until February 1st 2013
Opening:
Introduction with Elisa Asenbaum and Thomas Maximilian Stuck – 5.30 p.m.
Opening hours: Tu - Fr 2-7 p.m., Sa 2-5 p.m.
and by appointment
G.A.S-station-Team
Elisa Asenbaum & Thomas Maximilian Stuck
Tempelherrenstraße 22, 10961 Berlin/Kreuzberg
http://www.2gas-station.net/
Berlin
Ends 01.02.2013
After four international and topic centered exhibition projects with more than 200 participants we would like in 2012/13 to focus on the puristic and fascinating topic NOTHING. In the beginning we were planning to show only one explicit work but finaly we decided to choose two out of the planty applications which received us.
Draga Jovanovic (SRB), "Your self is a reflection of myself"
Stephan US (D), "Das Archiv des Nichts" (The Archive of Nothingness)
art in public space / participatory projects
FRAGILE - global performance chain journey
The global art initiative 'FRAGILE-global performance chain journey' by VestAndPage - Verena Stenke & Andrea Pagnes is possible thanks to the participation of 750 artists from 62 countries and its partners:
Zonadearte - Quilmes Argentina
EMBA Escuela de Bellas Artes Carlos Morel, Quilmes Argentina
EMBA Departamento de Extension Cultural, Quilmes Argentina
misterPink - Valencia
ARTe en acciON - Madrid
EPIPIDERME - Lisbon
Cosmos Factory - Chihuahua Mexico
L'Orvella Vermella - Centre d'Art d'Accio del Tarragones
PERFORMANCELOGIA - Todo sobre Arte de Performance y Performancistas - Caracas
http://www.fragile-global-performance.net
info@fragile-global-performance.net
global
Ends 02.09.2015
You're invited to follow the amazing global art initiative 'FRAGILE - global performance chain journey' in which more than 750 artists from 62 countries are participating.
Can one fragile object, in times of email, chat and mobility, pass one time all around the world safely – from hand to hand, charging itself with stories and people? Will it be the same when it returns?
For the project, more than 750 artists from all over the world work together in one same action: all will carry one fragile object step by step around the planet.
The journey of the object and the works the artists will conceive during the project will be communicated on the website and in regular newsletters.
FOLLOW THE JOURNEY WITH THE NEWSLETTER:
http://fragileglobalperfo.wufoo.com/forms/join-our-mailing-list/
The global art initiative 'FRAGILE-global performance chain journey' by VestAndPage - Verena Stenke & Andrea Pagnes is possible thanks to the participation of 750 artists from 62 countries and its partners:
Zonadearte - Quilmes Argentina
EMBA Escuela de Bellas Artes Carlos Morel, Quilmes Argentina
EMBA Departamento de Extension Cultural, Quilmes Argentina
misterPink - Valencia
ARTe en acciON - Madrid
EPIPIDERME - Lisbon
Cosmos Factory - Chihuahua Mexico
L'Orvella Vermella - Centre d'Art d'Accio del Tarragones
PERFORMANCELOGIA - Todo sobre Arte de Performance y Performancistas - Caracas
http://www.fragile-global-performance.net
info@fragile-global-performance.net
global
Ends 02.09.2015
You're invited to follow the amazing global art initiative 'FRAGILE - global performance chain journey' in which more than 750 artists from 62 countries are participating.
Can one fragile object, in times of email, chat and mobility, pass one time all around the world safely – from hand to hand, charging itself with stories and people? Will it be the same when it returns?
For the project, more than 750 artists from all over the world work together in one same action: all will carry one fragile object step by step around the planet.
The journey of the object and the works the artists will conceive during the project will be communicated on the website and in regular newsletters.
FOLLOW THE JOURNEY WITH THE NEWSLETTER:
http://fragileglobalperfo.wufoo.com/forms/join-our-mailing-list/
